Funmi Iyanda

In commemoration of Nigeria's 50th independence, the BBC over three weeks will broadcast a three part documentary on Nigeria produced by me and Chris Dada.
Told from the perspective of Nigerians, “My Country” has captured everyday Nigerians in unusual but natural settings, engaging them in eye-opening and down to earth conversations about their unique Nigerian experience.

My Country is showing at these times on BBC World:

Part 2
Saturday October 9th 05:10 am & 6:10pm

Repeat broadcast on October 10th 11:10 am & midnight

Part 3
Saturday October 16th 05:10am & 6:10pm

Repeat broadcast on October 17th 11:10 am & midnight

The market is 150 years old and there is talk of a remodelling into a shopping mall. From the colourful fruits, vegetables and grains display of Market Street, we walked into the corner of Julius Nyerere Street and the bovine market where, people sat on benches eating whole or parts of huge bovine heads with samp to my utter carnivorous delight. Others ate hollowed out bread loaves stuffed with beans and rice called bunny chow. From the bovine market, we … ( continue reading

My pilgrimage was over but l stayed an extra day in Johannesburg to buy meat. l like food, l collect food every where l go and don’t trust people who don’t like food. What else are they denying? So I had a pungent bag of premium Indian and Zulu spices with impepho stalks to ward off evil spirits around my food. I had filled up two freezer bags with prime game, lamb and steak cuts. l have highly developed taste buds. read more

I watched them storm onto the plane in a riot of colours and sounds. There was a powerful physicality about their presence, not only in the size of their bodies but in the piercings, the wild colourful clothing, and the hair. One head had a cheek with a blond braid attached to the ebony skin, another had a waist length jumble of dreadlocks piled high of the crown of a head right at the edge of his bald patch. They spoke fast, foreign and furious.

I was instinctively pushed back into my seat glad they were heading away from me toward the back of the plane as l surveyed the landscape of bland normalness in grey suits, beige dresses and coiffed hair seated around me. read more

It has been a dramatic weekend for me.

By my calculation and the careful planning of the Chimurenga team l should right now be in Durban at the Ugu festival of Maskanda. Thus when l arrived in Lagos Thursday morning l did not bother unpacking, l simply sent my passport to the SA embassy in Lagos for a visa.

Anyone who knows the first thing about getting a South African visa must wonder what sort of road side drugs l was on to expect my visa to come out in 24 hours. Well, l had put in the application three weeks before and it was going through the usual torturous process when l had to make a quick trip to London. So l requested a withdrawal of my passport while the application was processed. It was duly granted and l was told to return it for the visa as soon as l returned from London. read more

I watched the droplet of water from my hair roll down my newly painted green nail polish onto the thin foil covering the tray of freshly grilled South African lamp chops and spare ribs I was gripping while cursing under my breath as the lift lumbered up to the 13th floor apartment of a shabby high rise complex. I was on my way to meet friends for the June 12 Nigeria versus Argentina match but had wasted ten minutes threatening to slap an irrational driver who’d blocked the path. I of course had no intention of slapping him; I’m not Kaita! Read more here

I miss writing but l fear my quest to be the captain of my own ship means I am often not at my most creative mental space. However with Binyavanga urging me on with the subtlety of a hurricane I agreed to participate in this great project that sees fourteen writers going to different cities in Africa and Brazil during the world cup to contribute articles and stories that will eventually become a travel book. I will be in Durban from next week getting up to no good.

Here's a link to my introductory article

Last week in London as I proof read the transcribed translations for this edition for subtitling, l made a recommitment to myself. I vowed never to be directly or indirectly responsible for doing this to another human being.

Friday 29th May 2009.

I woke up on democracy day in pain and panic. I had spent the night battling demons in a series of very vivid, physically exhausting nightmares in which l had to find common grounds and confront my fears. In it, I got shot and my child drowned. I was cast adrift with enemies and l witnessed my own shouts of fear rising through the murky waters unheard. Towards the end, after the visceral pain and body wracking tears, my spirit started to rise and I started to note the details even as l knew not where the drifty catastrophe was or was going and war raged around me. I woke up achy but calm.

All this is a result of the TWF stories l am encountering. Yesterday, l met two young girls. I cannot tell you their names as l have a duty to protect them from further pain and stigmatization. Also their councillor had said to me at the end of the recording “l would not let them tell their story to someone who would explore them. I have followed your work for years so I know you are the right person to entrust with the story and to do the right thing by them”.

I am still struggling with what the right thing for this story will be.

Two young girls, both guarded, one frail and hauntingly aloof clutching a pale seven month old that looked like an oversized lizard.

The first girl had been tricked into a brothel in Port Harcourt, beaten and forced into prostitution for months until officials of NAPTIP rescued her.

The second was special.

I had started the day angry at Bayo and Segun with whom l had watched Barca beat Man U at the UEFA finals at the hotel bar the night before. I went to bed afterwards, they didn’t so they arrived for wardrobe and make up late. I hated the costume and hair but appearance has always been secondary to the story for me so I worked with what l got.

We drove to the Iyeye’s place and it was yet another pseudo culture preserving dramatic farce. The interview took place whilst she sat on a funny circular raised dais whilst her young California based nephew conducted the translation although she could speak pidgin. She was a sweet lady though and charmed everyone once the cameras were off.

Afterwards, we went to the rehabilitation centre which Chris declares as unsuitable so we drove one hour, all twenty five of us in a convey to picturesque NIFOR. We wanted a secluded place to protect the girls and get a great background since we would not be able to reveal the girls. NIFOR was pretty but very noisy which was a disaster for this particular trafficked girls’ story.

The story the girl with the child had to tell was so harrowing it required absolute silence especially as she was so soft spoken and weepy. Her eyes and tensed thin body told the story more eloquently than any words.

Here is the transcript.

Halfway through, I was gripped not only by inconsolable sorrow but also by an uncontrollable urge to pee which l did behind a huge tree in full view of the all male crew. Fortunately l had long lost capacity for embarrassment about my seeming incontinence. I completed the interview distracted by the noise and acutely aware of Jeff the sound guy’s discomfort and Chris’ irritation. We had an important story, which cannot be re-recorded with same effect, but we had a lousy location.

After lunch, we returned to the rehab centre but yet again could not film there so we recorded the final part of the edition at my hotel by the pool with Jeff cursing at the noise from the huge generators. The interview with the counsellor Jennifer Ero was very encouraging but also threw down a gauntlet. What am l to do with this haunting story?


The part our trafficked girl lied about in the story is her single abandoned mother status. On deportation and return home, she had tried to rebuild her life and met a man who promised her marriage only to impregnate and abandon her. Both herself and her child were living with HIV. Strangely, through everything else she had survived, all of which she spoke about with defiant candour, this appears to be the taboo she felt most uncomfortable with.

I have never been one for use of sensational stories for viewer ship, l prefer to stay true and honourable to a story so l am often trapped with a need to find solutions or at least present and preserve the story in such a way as to bring succour if not to the wounded but to potential future victims.


One year later, Ms X is still living with HIV and her little HIV positive baby has died.

Jennifer Ero is still trying to help her and others like her.

I am going to support Ms X through change a life.

Most importantly l and Chris have a great idea about what to do with the story to make it an issue that can transform our society.

So far we have got no support, l am still in the mid point of that nightmare.

Trafficked airs on TWF, Sunday 9th May on Africa Magic 6pm local time 7pm central African time.

Dear All,

Building up the momentum, an online petition has been created for your signatures and more importantly for your international contacts action and signature.

Kindly visit: http://www.petitionspot.com/petitions/yerima


Append your signature and forward as far and wide as possible

Have a lovely day.

Tarkwa was an experiment that paid off. I cannot remember if it was in our original show plan or not but it all started with a photo shoot. Eniola, our tireless PR and media lady had declared all my old pictures too psychedelic and wanted more “relatable” pictures. What that means of course is that she wanted my driven, determinedly single, opinionated, journalist/ media business owner, sinewy self softened into a more agreeable, rounder figured, homely, Ankara wearing, non threatening Nigerian woman. Poor thing, l only looked angry in most of the pictures we took. Must tell you my two-year attempt to be more “relatable” and the day I threw out the bullshit with the two faced plonkers who require it. Oh shit! I’m also not supposed to swear, good relatable women and stars do so they can get huge endorsements only to be caught pants down and then booed by the media, go into hiding, come out and shoot a creepy commercial. OK. I am PMSing. Where was l? Yes Tarkwa so the first pictures were so bad and so fake that Eniola decided to do another set with a different photographer. Bayo suggested Tarkwa Bay as a good backdrop and we got Musa Musa (so good they named him twice) to do the photography.
As we were discussing the shoot, Chris then had the idea to use our shoot as a test run for his TWF shoot.

So on the 19th April 2009 we all got into boats and went off to Tarkwa bay. Our man on ground was Eskay whom l had met through my friend and lawyer Morenike Nedum, nee Ransome-Kuti and my old friend Illemakin Soyinka. Eskay used to road run for Fela and is a fixture of the Ransome Kuti/ Anikapo Kuti families. Eskay is hard to describe, a slight wiry man with a sarcastic tongue and accidental humour, he is a survivor of many pro democracy rallies and a bit of an aging rascal.

On arrival, we were met by ‘Highest’, his tattoos and scars tell an eloquent story of his past. It was my first time at the village, l usually go to the beach and was completely oblivious to the community behind it. The village was tense and antagonistic; we only got by because we had Eskay and our bodyguard. After getting the communities cooperation, we settled at a bar where l was provided with a piece of muslin cloth to hand between two doors. This was my changing room. As Musa Musa set up, l was in hair and makeup and all sorts of characters stopped by to say hello.
There was the Rastafarian gutter man and the Liberian mama! With an exclamation mark please.
As usual l need to pee and soon found out that the toilet was somewhere right on a path between two villages. The stench and rot curded my mind.
Not that you could tell as l posed for photographs as the people watched, some scornful, some curious. The most outstanding thing was the loud sermons blaring out of the loud speakers at the nearby mountain of fire and miracles church. I cannot tell you how surreal it all was. I later found out the people were so unwelcoming because of a recent army raid and rumours that we were spying for Governor Fashola whom they hear plans to bulldoze the villages. It took a while to convince them otherwise.


After the shoot I interviewed a very intense bone setter’s wife who at over 50 and 6 children had the most toned arms, a result of decades of rowing and fishing. I was told she is the hardest working citizen of this place and for years would be up at 4am to fish with babies tied to her back. She now sells pure water, as she no longer has an engine for her boat.

I also interviewed her husband the bone setter and the Liberian Maama! Finally we moved to the beach where l did the second part of the photoshoot and then changed back into my TWF costume to interview a few beach goers before a race to interview Azeezat the music star by fire at dusk before we lose the sun. The idea was to have a picturesque beach fire setting. Well we lost the sun and almost lost our minds after such a grueling day.

Well, you know what? We had to redo it all again minus the shoot 4 weeks later after we returned from filming all the other editions. Why? There were unforgivable errors from some of the crew we were testing so Chris got on the plane to South Africa to find new crew to join the few on ground crew who made the grade. That was the crew we took on the road.

So it was that on 24th May 2009, we returned to Tarkwa, we had to recreate the same look and feel because we were mixing contents from different shoots. We shot every single scene and interview again; Chris is anal. In addition we shot good new interviews with the bonesetter’s son, the CDA chairman and new beachcombers.
For those of you in Africa, see if you can spot the difference at least on my person;-).

We almost shot at by the naval patrolmen on the waters as we rode back to Victoria Island at night but calmed our nerves at Tarzan jetty were Sunday nights are a ball.

Still hibernating far from home and without my diary so I cannot remember the exact details of date and order but I remember the day we shot the Oba of Benin, hey back off you proud Benin people l did not shoot your Oba o. Cheap, l know

As I mentioned last week, I and Bayo had found a simple lace and gele outfit for the visit to the Oba and everyone had conflicting advice about how best to approach him, greet him and generally conduct myself before him. One thing l can tell you for free is that the people of Benin revere their Oba. The reaction is the same from market traders to university professors; in fact if you mention his name, they automatically say “Oba Gha to Kpere . . . . Ise”! So much so I was tempted to keep saying it to get same reactions over and over again in his court.

We arrived the Palace and were received by Abdul Oroh and a few chiefs. The compound was large and unremarkable except for the diversity of people hanging about, some to see the Oba, some to sell memorabilia and others to curry favours.

I had been told there was a part of the palace women were not allowed to go which of course was where l wanted to go but I am not quite crazy or daring enough.

Whilst waiting outside, I noticed that a lot of the chiefs going into the palace were eminent Nigerians from all works of life; I was fascinated by their half-shaven head and was told you could tell the rank of each chief by the extent of shaving and number of beads on him. There were no female chiefs.

After about forty minutes we were allowed into the court so we could position the cameras and lights, a tough job in a place we had not been allowed to Reece before hand, which turned out to be a small poorly lit over crowded room.

I was anxious and tense, a little confused by all the rules, regulations, ceremonies and wait, and believe me wait we did. We waited so long some of the guys dozed off and l got more tensed especially with the testosterone overload. Once in a while someone would come in from the inner room and everyone would jump to attention only to find it was not the Oba.

Eventually, an emissary came in and announced that the Oba was coming out, we all sprang to attention and thirty minutes later the Oba, lead by a youth (he is said to be a eunuch) came in to chorus of “Oba Gha to Kpere . . . . Ise”.

I was enthralled, he looked older than his pictures and portraits but here was the famed Oba of Benin in touching distance. I had been told he would not speak to me in English but he began by belligerently asking in English that the boom mike (who dares put a body mike of him) be moved away from his stool and the light be repositioned and so on. My heart sank; this was not going to be an easy interview.

It was not easy, It was in fact a sparring match but I was determined not to back down so I switched into my dump blonde reporter mode, asking seemingly stupid questions with a bright smile and demure (I hope) disposition. He answered each question with a question or put down but as we went on l realized it was his style so I ploughed on. When I asked if any Oba had ever abdicated his throne there was a collective gasp and the man looked at me like l was a complete idiot, he did not answer. I was mentally having fun now. He had said he would only answer a few questions but an hour later I asked my cheeky question about the place of women in his court and got a mischievous reply. All in all I would not say I found the Oba charming but I would say I thoroughly deserved the comment whispered to me by one of the high chiefs as I left. He said, “You are a brave woman, good job”.

On our third day in Benin we went to film the highest ranking female in the land, a woman whose role had been specially created by the Oba as women are not traditionally high chiefs in Benin. A very strange situation as Benin women are so strong and enterprising. I wondered what the correlation was between the unacknowledged central role of the Benin woman and the elephant in the room in every interview. The issue of human trafficking and international prostitution, which has an unfortunate Benin face. We went on to later film one of the most harrowing human trafficking story l have ever heard from a survivor who is now living with HIV but that is another diary.

The Iyeye of Benin was a lively personality living with a court of women. Said to be so powerful she is the only one who can intercede on an offender’s behalf with the Oba, she was funny, regal but cautious and pained about the trafficking issue. The interview with her was strange, as we needed an interpreter who was one of her nephews visiting from America. It was weird hearing him go from his American English to heavy Benin. All these whilst the Iyeye sat on a round concrete slab throne When we finished, she presented us with cartoons of juice and biscuits and promised to find me a Benin husband by next year.

Then we drove to the famous Benin market to film the next bit. When our convoy of vehicles arrived, the market lead by the gun-wielding policemen, everyone took to their heels and the market emptied in no time. I vividly remember the man who quickly grabbed his two lovely children, bundled them into his old hatch back Peugeot and drove off, fast. I was mortified and I just wanted to pee, so Macho, one of the body guards lead me into a house where everyone was peeping out of the window with one person pointing us in the direction of the outdoor toilet. What is it with us and toilets in this country?

It took almost an hour to reassure and persuade the traders and market goers to return, apparently there had been a recent raid and rumours of planned government restructure of the market so all those vehicles and the policemen set off their alarm.

The market shoot was great. I had always wanted to meet the famous female butchers of Benin and the women received me warmly asking after my daughter and complaining about the end of my old show. That market has everything on sale from food to clothes to animals dead and living. There were rumours of human body parts for sale but l did not see any such thing displayed.

I found the market women beautiful and funny and we left the market without any more incidence.


After the market I changed my dashiki top to a Deola Sagoe tee shirt and my flats to heels for a surprise visit to the famous university of Benin. The students mobbed me in no time and the dean of student affairs was welcoming.

However I could sense the tension on the campus and the dean advised that I should not stay too long as they do not encourage large congregations of students who are likely to come around once they know I was on their campus.

Fortunately it started to rain so we could not do much filming. However we still had a few busing over, in half an hour, we had over fifty young people gathered around and growing. I had a quick interactive session with the students and left the campus completely heartbroken.

I found the state of infrastructure awful but more worrisome was the intangibles. Just the way in which the place lacked academia. I thought it was my over sensitive over critical mind playing tricks on me until the DOP from Cape Town came over and said he found the campus depressing. I asked him why and he said he’d had a mental picture of what a university campus was typically like and what he saw was nothing like it, cinematographically unappealing and very sad indeed. I knew he was right, I worried about the students, I worried about the future but it was game night so I joined the boys at their hotel to watch the match.

It appeared Benin had a lot more to offer the boys than football and beer so I returned to my hotel wishing l too could numb my senses with a bit of company, alcohol and twenty two men running after a ball far away from here.

Emotan's Daughters airs on TWF tomorrow 18th April on Africa Magic 6pm local time 7pm central African time.

Also Talk with Funmi is now on Africa Independent Television (AIT) from Monday 19th April, 2010. 11pm Nigerian time

I often have to sneak in and out of the country to stroke my sanity. This is good. What is not so good is that I left my TWF diary at home. Yes there is an actual retro long hand written journal so l will have to do this week’s diaries from memory.

Don’t quote me but I seem to remember that we shot the first part with the priest of the feared holy Aruosa church on May 26th and the next part with legendary Victor Uwaifo next day.

The crew had driven 2 days ahead of us from Lagos whilst we flew into a very grey and depressing Benin late evening May 25th.

We had been informed that we would require additional security in Benin so the police commissioner had been very helpful supplying four fully armed police men in contrast to the plain cloth policemen we used in Lagos and the relaxed policemen in Ondo. The Benin security was tough, tight and very professional. They were also very humane and friendly, we were sad to part with them after the shoot but then I am jumping the figurative gun aren’t l? The one point l must make tough is that the road trip showed me the potential of the Nigerian police if like everything else there was no issue of political corruption, poor funding, inadequate training, appalling salaries and work conditions.

Okay Funmi, stop digressing. We stayed at one of the best hotels in town but it was a shit hole, okay maybe l am biased because it was symbolic of the way in which past administrators had raped this once beautiful state. The entire city was rather jumpy and uptight; a point l made to the information commissioner, my old friend Abdul Oroh when we sat down to a delicious pounded yam dinner at his home. The governor Adams Oshiomhole was out of town so we could not talk with him.

On the morning of the 26th, Bayo and l debated what would be appropriate to wear to visit the Oba and to go to the Holy Aruosa church. Abdul had said that the Oba was cosmopolitan and l could appear there in trousers if l wanted to. I did not think agree, so l wore iro and buba with gele. I can tell you about the encounter with the Oba of Benin but that’s another day’s diary. We filmed the Holy Aruosa church after l survived my encounter with the Oba. Benin was getting on my nerves at this stage and my head was aching from the heat and the tight gele, which l took off and Bayo replaced with a wig.

After all the mystery and hushed tones l had experienced during the research about the holy Aruosa church, l had expected a much more impressive building but the church was pretty nondescript. To enter we were told to pay a “token” so we could speak with the priest. My impression of the priest is better kept to myself and l failed to see the mystery and mythic.

His stories about the origin of Benin would have been really special in a better-appointed edifice and if we didn’t have to “drop something”. The final straw was when l asked to use the toilet and was pointed outdoors to a corrugated iron sheet “shit in my face” contraption. Haba, you mean all the dignitaries who attend this church come here to stoop and pee on past pees?
The rest of the day was spent filming future episodes and searching for a decent meal in town.

Next day May 27th we filmed Sir Victor Uwaifo. Chris had come back from his technical Reece of the location the day before a little lost for words to explain what the professor’s place is like. When we arrived to shot l understood. The place is a cross between a dungeon, a morgue and a museum complete with eerie sound effects and low lighting. In fact the only way we could shoot some of the rooms was with the EOS camera and it is impossible to recreate the mood and ambience of that place. It is something to be experienced.

Sir Victor himself is an energetic, enigmatic mad professor. A restless man of bondless energy and limitless creative expression. His home/museum is a monument to his talent, gifts, career and ego.
I wonder what he must be like in class when he lectures. A legendary musician, TV personality, prolific sculptor, artist, body builder, public administrator and university lecturer, he, his work and his home overwhelm.

We spent an entire day filming and he neither stopped for drink or food nor paused for breath, picking me up unexpectedly at one point like l was feather weight, don’t go there!


We thoroughly enjoyed the time with him and l marveled that they don’t make them like this anymore but also that sir Victor is one example of a few Nigerian aberrations, a mad unstoppable genius expressing him in spite or perhaps because of our often-chaotic existence.

Legends and Myths airs on TWF this Sunday 11th April on Africa Magic 6pm local time 7pm central African time.

Wednesday May 20th 2009
I woke up feeling ill so I suppressed it but my eyes were dead and I was jumpy. Perhaps to hide the ravages, make up and wardrobe took a while but the boys surpassed themselves as you couldn’t tell how poorly off I was in my energy Ankara dress from Deola Sagoe, pillar box red lips and my elaborately rolled up hair. It was fitting for the EKO FOR SHOW edition.

We arrived the lovely Carima d Laurent’s nail place for the shoot and our second subject fashionista/boutique owner Vivian Chiologi had gone AWOL, fortunately Stylist Ifeoma Williams was passing through and as she is always camera ready and fun to talk with, she made a great substitute. I am sure Ifeoma goes to bed perfectly put together.

From Nail place we went to Auto Lounge to film the Bentleys, shame I couldn’t drive one. Carima and I met the exotic store manager who looks and sounds like an East European runway model. I don’t love cars but I like Top Gear and have fantasies of doing the guest lap and meeting the Stig.

From the Bentley shop we drove to Designers club on Awolowo road to talk with the effervescent owner Ndidi and Lighting expert Akin Ariyo who is the first man l ever saw in a wine coloured Oswald Boateng suit off the run way.

Afterwards, I changed and we met up with Senator Toks Afikuyomi, commissioner for tourism who took us on a tour of the smaller islands in Lagos. He has always is jolly and talkative. Filming at a tiny island with two guards was weird. Actually, filming this whole episode was weird as it is such a huge contrast to the life of many Nigerians. I suppose we are not just trying to capture the lifestyle of the tiny percent of the population living in this bubble but the aspiration of others to that somewhat unreal life.

Friday May 22nd 2009
My dad paid me a visit and told me a story of a couple in Badagry where he lives. It is such a medieval story and a far cry from what we had filmed two days ago. I wonder how long these extremes will continue to exist side by side and the possible break point. We finished the rest of the shoot on the famous Prest boat. Lagos on the water at night looks really beautiful.

Afterwards, I changed and we filmed the abe igi conversation with the three okada riders in front of Bonzai the upscale Japanese restaurant in Victoria Island. I cannot seem to get away from those extremes and the unease I feel so I decided to untie the knots in my stomach with a memorable night out with the boys to NEWSCAFE.

Eko for show airs on TWF this Sunday 4th April on Africa Magic 6pm local time 7pm central African time.

Saturday June 6TH 2009
Last night, after the final shoot in Ilorin and fractious flight to Lagos, l got dressed and went out with the girls for Remi’s birthday. I was still in the mental and physical space for filming so I looked somewhat incongruous amongst my dressed down friends. I had missed them. We saw a lousy movie and had a yeye meal at an Italian restaurant with a need to take its face out of its arse.
Went to bed restless at 2a.m and was up and cranky by 5am. Played cards in bed with the shrimp who suddenly seem grown up.

8am and Mr. B had not shown up, maybe bonding with his family too. Called in a stand in but got left behind by the crew. Fortunately I know my way around Ajegunle a little. I had spent a week filming a story here some 14 years ago.

We arrived Jahoha Studios, the spiritual home of most of the musical stars out of Ajegunle. Daddy Showkey is mentioned in reverential tones. He is the ghetto warrior who with that guttural cry led a new musical style and sense of worth out of AJ city. I find that I cannot describe this place I can only feel it. Ajegunle is a sensory overload of sounds, sights, markets and an amazingly diverse mix of faces, cultures and ethnicity. I must say that the place does not feel as threatening as it did during the Abacha days when I came to film earlier and the roads although still bad and incomprehensible appear a lot calmer, maybe because it’s a Saturday.

The one thing I do feel is little, this place makes everything else pale in comparison to her wild energy, colours and pace.
The over crowed houses built shoulder to shoulder, the electric and phone cables coming out of the ears and nose of each house into the ears and nose of the other in a continuous chain. I observed, nay felt all these as I waited for the guys to set up so I could start. It is boiling and my skin is itchy under the make up, which keeps running and needing reapplying. By this time Bayo had arrived and bullied the stand into a corner.


I was introduced to Marvellous Benjy who was soaring on his own high somewhere far far away; it was tough keeping him on track during the interview. I however found him charming, smart and a little delightfully bonkers. The interview was bizarre but revealing.

The whole shoot went well as the community turned out to watch and then dance including the little children. The AJ dancers were amazing and did very little talking, what is the point of talk when you can move like that. I felt like a flat footed duck beside the agile, mobile and flexible people but l do think l may have got the hang of Alanta which is the pride of the community. I learnt also learnt Swo, Kwonto and the still in development Warapa but Alanta is king.

Sunday June 7th
Final day of shoot for the entire series. I was up and ready by 5.30a.m. There are delays, there is trouble brewing, the scale of which didn’t become apparent until months later. One, which almost shut down the entire project.
We returned to Ajegunle and went to the famed Tolu football pitch where many of Nigeria’s ex super eagles has played. It is a sandy schoolyard behind one of the ports and adjacent to one of the denser parts of Ajegunle.

The place is drenched in testosterone and run by a council of elders you would be well advised not to cross. I interviewed the mama 7 boys food vendor who has been there for years and one of the council of elders but the highlight was a display of “balcrobatics” by Amata the star ball juggler with the proud people running continuous commentary.

Afterwards we conducted a street vox pop with young women on the street. We had noticed how well dressed and regal in bearing the women were. So Bayo started searching for best face, style and fashion right there on the street and I talked with them.

My feeling was that I had seen more character, cooler style and red hot attitude on the streets in Ajegunle over this weekend than all the fashion and style magazines on the newsstands. The average babe on the street seems to have more body confidence, personal style and bearing than many diamond draped, Brazilian hair wearing Lagos socialite.

Afterwards I interviewed the very talkative and very sweet old mama Ajegunle who has lived here since independence. She kept trying to give me a drink, they all keep trying to give us a drink or meal. This is the only community in the whole series where the people were offering to give us stuff rather than take stuff off us.

We left AJ city and stopped over at mainframe studios in Oshodi to film Tunde Kelani’s interview for the final part of the Nollywood edition. So it was that after 5 weeks of filming across 4 states, the shoot wrapped. I returned home to pack my bags for my trip to Aspen for a seminar tomorrow then I joined the guys at Tarzan to unwind. I like watching the characters at Tarzan, tonight there was the absolutely gorgeous dark girl with cropped hair and hoops and the wild snake hipped dancing boy. I wonder, what is their story?


Irrepressible AJ CITY airs on TWF this Sunday 28th March on Africa Magic 6pm local time 7pm central African time.